Shakespeare on the Edge of Intercultural Theatre: Lear Dreaming by Ong Keng Sen, a New Nō Performance
DOI:
https://doi.org/10.6092/issn.2039-2281/13709Parole chiave:
Ong Keng Sen, Lear Dreaming, Shakespeare, teatro interculturale, teatro nōAbstract
Questo articolo mira a fornire un quadro generale ed introduttivo dell’intervista condotta il 30 aprile 2021 con l’autore teatrale singaporiano, nonché uno dei principali sostenitori dell’interculturalità teatrale, Ong Keng Sen. L’intervista vuole portare alla luce uno degli ultimi lavori del maestro, Lear Dreaming, in anteprima a Singapore nel 2011 e presentato a Parigi nel 2015. Coprendo un’ampia gamma di prospettive riguardanti le collaborazioni professionali di Ong con attori ed addetti ai lavori, si delineano le diverse strategie con cui il suo lavoro si esplicita, non solo da un punto di vista produttivo ma anche come innovatore delle tradizioni teatrali asiatiche.
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Copyright (c) 2021 Monica Alcantar
Questo articolo è soggetto a licenza Creative Commons Attribution 3.0 Unported License.
