Joiking life narratives. The performance of indigenous self-perception in Sami life stories

Authors

  • Nicola Renzi ALMA MATER STUDIORUM - Università di Bologna

DOI:

https://doi.org/10.6092/issn.2039-2281/11621

Keywords:

Joik, Life narratives, Sami, Cultural resilience, Indigeneity

Abstract

The Sami are the only indigenous population formally recognized in the EU, nevertheless, this significant acknowledgment came only in relatively recent times, after centuries of forced assimilation policies and thanks to crucial fights for self-determination and identity recognition. This article intends to offer an analysis of two cases of Sami life narratives orally transmitted as joiks, musical expressions traditionally sung a cappella and characterized by a highly descriptive value. The focus is to present, through a set of transdisciplinary approaches, intimate and social perceptions of indigeneity and the related narrative outcomes which may take place in the peculiar empathic relationship established between the narrator-performer and the audience. Lawra Somby’s Im manne gåarkah and Niiles-Jouni Aikio’s Ieš joiks will respectively direct the study through 1) the author’s individual life experience and perception of the colonial assimilation and the consequent language loss and 2) a rare case of self-joiking, an acoustic self-portrait or musical autobiography which through both verbal and musical components aims at the narration and interpretation of a Sami’s own life experience.

 

References

BEACH, HUGH. 1994 The Saami of Lapland, in Polar Peoples. Self Determination and Development, Minority Rights Publications, London, pp. 147-207.

BJØRKLUND, IVAR. 2000 Sápmi, becoming a nation. The emergence of a Sami national community, Samisk Etnografisk Fagenhet Trømso Museum, Trømso.

EDSTRÖM, KARL-OLOF. 2010 From Yoik to Music: Pop, Rock, World, Ambient, Techno, Electronica, Rap, and..., in Svensk tidskrift för musikforskning Online, vol. 13: http://musikforskning.se/stmonline/vol_13/edstrom/index.php?menu=3 (Accessed on 29th September 2020).

FUBINI, ENRICO. 2001 L'estetica musicale dal Settecento a oggi, Einaudi, Torino.

HÆTTA, ODD MATHIS. 1966 The Sami: An Indigenous People of the Arctic, Davvi Girji OS, Karasjok.

JONES-BAMMAN, RICHARD WIREN. 1993 “As long as we continue to joik, we'll remember who we are.” Negotiating identity and the performance of culture: the Saami joik, Ph.D. diss., University of Washington.

JUNKA-AIKIO, LAURA. 2016 Can the Sámi speak now? Deconstructive research ethos and the debate on who is a Sámi in Finland, in Cultural Studies, 30:2, pp. 205-233.

LETHOLA, VELI-PEKKA. 2002 The Sami People. Traditions in Transition, Kustannus-Puntsi, Inari.

LIGI, GIANLUCA. 2016 Lapponia. Antropologia e storia di un paesaggio, Edizioni Unicopli, Milano.

MOORE, REBEKAH ELIZABETH. 2004 Rewriting the soundscape: towards a new understanding of Sami popular music and identity in the new millennium, Master diss., University of Maryland.

RAGAZZI, ROSSELLA. 2012 Incandescent Joik: Filming chants of resilience in Sápmi, Norway, in Visual ethnography, vol. 1, n. 1, giugno 2012.

RENZI, NICOLA. 2019 Modern joik and drumming. Processi di resilienza e continuità culturale nella musica Sami, tesi di laurea, Università di Bologna.

HILDER, THOMAS. 2014 Sámi Musical Performance and the Politics of Indigeneity in Northern Europe, Rowman & Littlefield, Lanham.

SAMI INSTITUHTTA. 1990 Samene, Davvi Girji OS, Karasjok.

SEVERI, CARLO. 2000 Proiezione e credenza. Nuove riflessioni sull'efficacia simbolica, in Etnosistemi, n. 7.

SMITH, S. – WATSON, J. 2010 Reading Autobiography. A Guide for Interpreting Life Narratives, University of Minnesota Press.

TURI, JOHAN. 1991 Vita del Lappone, Adelphi, Milano.

TURNER, VICTOR. 1969 Liminality and Communitas, in The Ritual Process, Aldine, Chicago, pp. 78- 104.. 2014 Antropologia dell'esperienza, il Mulino, Bologna.

Turner, V. – BRUNER, E. 1986 Anthropology of Experience, University of Illinois Press, Chicago.

VALKEAPÄÄ, NILS-ASLAK. 1982 Art is for remembering people, in The Sami People and Human Rights. Charta 79, Spider Web, London.

Downloads

Published

2021-04-22

How to Cite

Renzi, N. (2021). Joiking life narratives. The performance of indigenous self-perception in Sami life stories. Antropologia E Teatro. Rivista Di Studi, 12(13), 49–64. https://doi.org/10.6092/issn.2039-2281/11621

Issue

Section

Articles