The Popularization of Chinese Modern Drama: The Birth of Petty Urbanite huaju during the Isolated Island Period
DOI:
https://doi.org/10.60923/issn.2039-2281/23575Parole chiave:
Petty Urbanite huaju, Popularization, Isolated Island Period, cultural diamond theoryAbstract
L'emergere del huaju dei piccoli urbani durante il Periodo delle Isole Isolate (1937-1941) segnò un momento cruciale nella popolarizzazione del dramma moderno cinese, o huaju. Questa transizione incarna un mix di inevitabilità e casualità nell'evoluzione del huaju. Questo articolo ipotizza che l'ascesa del huaju dei piccoli urbani sia stata alimentata da una complessa interazione di fattori sfaccettati, sistematici e interconnessi. Utilizzando la teoria del diamante culturale (Griswold 2008: 14), l'analisi approfondisce le interazioni dinamiche tra huaju dei piccoli urbani, società, creatori e pubblico, svelando i meccanismi che hanno portato alla nascita di questa forma teatrale unica. I risultati rivelano che la popolarizzazione del huaju cinese – e la corrispondente comparsa del huaju dei piccoli urbani – si è svolta attraverso tre fasi distinte: la fase dell'influenza sociale, la fase dell'influenza umana e la fase della regolazione artistica. Queste fasi sono intrinsecamente collegate e progressive, e nel loro insieme illuminano il meccanismo di fondo che ha portato alla diffusione del huaju cinese.
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