Una presenza che si fa ombra in Oriente
DOI:
https://doi.org/10.6092/issn.2039-2281/6797Keywords:
antropologia, teatro, oriente, ombra,Abstract
In the contest of Asian culture the “shadow structure” is discussed connected to its native world and then it has to be interpreted starting to the culture of its original world. This essay investigates three different geographic situation, that is Japan (nōtheatre), China (shadow theatre) and Indonesia (shadow theatre), to connect as well as possible the vision and “shadow philosophy” to accurate and cultural perspectives, which can relate it to real cultural images.
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