Cultural Interruption and the 2003 UNESCO Convention. The Case of the Pilgrimage to Watt Town, St. Ann (Jamaica)

Authors

  • David Brown Ministry of Culture, Gender, Entertainment & Sport (Jamaica)

DOI:

https://doi.org/10.60923/issn.2039-2281/23577

Keywords:

jamaica, piligrimage, UNESCO 2005 convention

Abstract

The Revival Pilgrimage to Watt Town, Jamaica, exemplifies both the safeguarding of intangible cultural heritage (UNESCO 2003) and the promotion of cultural diversity (UNESCO 2005). The practice combines history, rituals, music, dance, and spirituality, linking communities, youth, and ancestors, and ensuring cultural transmission. COVID-19 temporarily disrupted the celebrations, highlighting the vulnerability of sites and practices. The community’s adaptations, including modified rituals and safety measures, demonstrate cultural resilience and the capacity to sustain both continuity and vitality, in line with UNESCO guidelines and the 2015–2030 Sendai Framework.

References

HUNTER, JACK

2011 Talking with the Spirits: Anthropology and Interpreting Spirit Communications, in «Journal of the Society for Psychical Research», n. 75, pp. 129-141.

KANE, MAMADOU

1982 Cultural Identity: A Historical Perspective, in « EduAfrica, Bulletin of the UNESCO Regional Office for Education in Africa», n. 8, pp. 129-136.

NETTLEFORD, REX

2003 Caribbean Cultural Identity: The Case of Jamaica an Essay in Cultural Dynamics, second edition, Ian Randle Publishers, Kingston-London.

ROBINSON-SMITH, MARIA

2018 Revivalism: Representing and Afro-Jamaican Identity, University of the West Indies Press, Kingston.

SEAGA, EDWARD

1969 Revival Cults in Jamaica: Notes Towards a Sociology of Religion, in «Jamaica Journal», vol. 3, n. 2, pp. 1-13.

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Published

2025-12-16

How to Cite

Brown, D. (2025). Cultural Interruption and the 2003 UNESCO Convention. The Case of the Pilgrimage to Watt Town, St. Ann (Jamaica). Antropologia E Teatro. Rivista Di Studi, 16(19), D. 30–40. https://doi.org/10.60923/issn.2039-2281/23577

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