Artificially Enhanced Performing Arts. Experiment on the Creative use of AI in Performing Arts

Authors

  • Andrea Paciotto Seoul Institute of the Arts

DOI:

https://doi.org/10.6092/issn.2039-2281/20973

Keywords:

workshop, AI, ChatGPT, creative process

Abstract

This article explores the Artificially Enhanced Performing Arts workshop, which took place in Bologna from January 15 to 19, 2024, as part of a collaboration between the Department of Arts at the University of Bologna and the Seoul Institute of the Arts. The workshop investigated the use of artificial intelligence as a creative tool in the performing arts, with participation from a diverse group of Italian and Korean students. Guided by Professors Andrea Paciotto and Kim JaeMin, the experiment aimed to examine the possibilities and constraints of AI within a collective creative process. Through AI-driven exercises and improvisations, participants collaborated across various cultural, linguistic, and technological boundaries. This article outlines the workshop’s methodology, chronicles the participants' experiences, and analyzes audience feedback, highlighting key takeaways from the experiment.

References

BODEN, MARGERET ANN, 2016 AI: Its Nature and Future, Oxford University Press, Oxford.

BOUCHER, P. , 2020 How Artists Are Using Artificial Intelligence to Create Novel Artworks: A Survey, in «Leonardo», v. 53, n. 4, pp. 390-396.

CARVALHAES, J., 2020 The Impact of Artificial Intelligence on Artistic Creativity: A Critical Analysis, in «Journal of Visual Culture», v. 19, n. 3, pp. 305-325.

COLTON, S. – WIGGINS, G.A., 2012 Computational Creativity: The Final Frontier?, In DE RAEDT, L. – BESSIERE, C. – DUBOIS, D. – DOHERTY, P. – FRASCONI, P. (ed.), ECAI’12: Proceedings of the 20th European Conference on Artificial Intelligence, IOS Press, pp. 21-26.

GUZDIAL, M. – RIEDL, M. O., 2019 Creativity and Diversity in Human-Computer Co-Creation, in «AI Magazine», v. 40, n. 1, pp. 19-28.

MCCORMACK, J. – GIFFORD, T. – HUTCHINGS, P., 2019 Autonomy, Authenticity, Authorship and Intention in Computer-Generated Art, in Computational Creativity Research: Towards Creative Machines, Atlantis Press/Springer, Paris, pp. 151-169.

TURKLE, SHERREY, 2015 Reclaiming Conversation: The Power of Talk in a Digital Age, Penguin Press, London.

Downloads

Published

2024-12-17

How to Cite

Paciotto, A. (2024). Artificially Enhanced Performing Arts. Experiment on the Creative use of AI in Performing Arts. Antropologia E Teatro. Rivista Di Studi, 15(18), 103–133. https://doi.org/10.6092/issn.2039-2281/20973