Approcciare l’immateriale. Culture, patrimonializzazione e performance nel lavoro redazionale al Dossier ICH 2003

Authors

• Beatrice Borelli Alma Mater Studiorum - Università degli Studi di Bologna

  Beatrice Borelli is a PhD candidate in Visual, Performing and Media Arts in the Performing Arts sector at the Department of the Arts (University of Bologna). She investigates Chinese theatre, particularly the social conditions of the actors, dramaturgical antecedents and performances based on the novel The Dream of the Red Chamber (Honglou meng). She graduated with honours in Languages ​​and Cultures of Asia and Africa at the Department of History, Culture and Civilization at the University of Bologna, in the field of Chinese Literature and Theatres in Asia. Her Master Thesis received the honorable mention of publication. In the same University, she obtained the Bachelor’s Degree in Aesthetic Philosophy with full marks. She published contributionson “HYSTRIO” and on “Antropologia e Teatro”. She collaborates in the didactic activities for the Master’s Degree Course in Music and Theater Disciplines and has the qualification of Subject Expert in Theatres in Asia.

• Davide Nicola Carnevale Università degli Studi di Ferrara https://orcid.org/0000-0002-1533-878X

  Davide N. Carnevale is research fellow at the Department of Humanities of the University of Ferrara, where he teaches Visual Anthropology and collaborates with the research and dissemination activities of the Laboratory for Urban Studies. PhD in "Human rights, society and multi-level governance" at the University of Padua and Panteion University of Athens, he has carried out study and research activities within collaborations with the University of Bologna, EHESS in Paris, the State University of Moldova, the Observatory on Religious Pluralism and the Foundation for Religious Sciences in Bologna, Ilia University in Tbilisi, and the Confronti Studies Center in Rome. He has worked on religious minorities and migrations, ethnographies in Eastern Europe and post-Soviet contexts, political-territorial approaches and visual research on ritual, human rights, and the relationship between landscape and labor.

• Sara Colciago

  Sara Colciago obtained her PhD in Visual, Performative and Media Arts (University of Bologna) in 2016 with a thesis entitled: Theatre and Community: for a mapping of the strategies of relationship with the audience of Piccolo Teatro in Milan. She is mainly interested in the anthropology of performance, with a particular focus on the relationships between performance events (both spectacular and non-spectacular) and the communities that produce them, and on the development of re-enactment and living history activities in the Italian and international scene. Since 2010 she has been member of the editorial board of the journal “Antropologia e Teatro”. She has collaborated with Ravenna Teatro/Teatro delle Albe, working on historical archive and communication, and with APS Cantieri Meticci, based in Bologna.

• Emanuele Regi Alma Mater Studiorum - Università degli Studi di Bologna https://orcid.org/0000-0003-4383-5908

  Emanuele Regi is a PhD student at the Department of Arts, University of Bologna. He focuses on the relations between performing arts and natural spaces with a PON research at the UNESCO MaB Reserve of the Tuscan-Emilian Apennines. He is a member of the editorial board of the scientific journal "Anthropology and Theatre" of the University of Bologna. At the same university, he is a specialist for the chairs of History of the Theatre and Performing Arts and Organisation and Economics of the Performing Arts. His recent publications include Viaggi ai confini del teatro in montaggio libero (Biennale Editore) and A Matter of Relationships: Dramatising, Staging and Planning Ecological Performances ("Itinera", University of Milan).

• Cinzia Toscano Alma Mater Studiorum - Università degli Studi di Bologna https://orcid.org/0000-0003-2812-1413

  Cinzia Toscano is PhD in Visual, Performative and Media Arts. She mainly deals with contemporary Japanese theatre, with particular attention to the mixture of theatre and new technologies. Since 2014 she has been member of the editorial board of the journal “Antropologia e Teatro”; She has been an adjunct lecturer at the University of Ferrara for the course Theaters and Digital Communication (a.y. 2022/23). She combines her research activity with the organization of cultural events and publishing initiatives.