Canto a tenore e altre polifonie sarde. Riflessioni e proposte attorno alla Convenzione UNESCO ICH 2003

Abstract

The article examines the evolution of UNESCO's paradigms concerning the Convention for the Safeguarding of the Intangible Cultural Heritage (ICH 2003) compared to the Convention for the Protection of the World Cultural and Natural Heritage (1972). Specifically, employing an anthropological approach, the analysis centers on authenticity and cultural identity. As a case study, the article takes the "Canto a tenore, Sardinian pastoral songs," inscribed in the list of intangible cultural heritage due to its association with pastoralism. The objective is to contemplate the limitations and challenges associated with this designation and the broader issues surrounding ICH 2003. The article explores the journey undertaken by Sardinian singers and institutions following its recognition in 2005, culminating in Modas, the most recent initiative to study and preserve the practice of tenore singing. Through its activities, this project aspires to be more inclusive of polyphonic practices featuring multiple vocal components that have not yet found a place on UNESCO's list.