L’orchestra in gola di Carmelo Bene.: Breve indagine su una voce metaforica e di rappresentazione.

Carlo Romano

doi:10.6092/issn.2039-2281/15325

L’orchestra in gola di Carmelo Bene.

Breve indagine su una voce metaforica e di rappresentazione.

Authors

Carlo Romano

PhD in the history of political doctrines and philosophy of politics, graduated in composition, music teaching, viola and chamber music, his concentration focuses on the relationship between music and theater. In 2015 he received the “Martin Chusid Award for Verdi Studies” from New York University. He has taught music and audiovisuals at the Pontifical Lateran University, Roma Tre University, Luiss-Guido Carli and “La Sapienza”.

DOI:

https://doi.org/10.6092/issn.2039-2281/15325

Abstract

The article examines the voice of Carmelo Bene in certain performances (Manfred, Canti Orfici and Lectura Dantis) and shows how the actor from Salento is engaged in a profound work of semantic elaboration of the text, emphasized in its space-time, chromatic, quantitative, emotional aspects. In the end, the study opens up to questions, and one wonders how this creative behavior of Bene is admissible in the poetics of a theater that focuses entirely on “dethinking”.

Downloads

PDF (Italiano)

Published

2022-08-01

How to Cite

Romano, C. (2022). L’orchestra in gola di Carmelo Bene.: Breve indagine su una voce metaforica e di rappresentazione. Antropologia E Teatro. Rivista Di Studi, 13(14), 1–18. https://doi.org/10.6092/issn.2039-2281/15325

Download Citation

Issue

No. 14 (2022)

Section

Articles

License

This work is licensed under a Creative Commons Attribution 3.0 Unported License.